Is luca guadagnino gay
“The &#;why’ is that I love these characters and I love this world,” Guadagnino told The Strand at a recent verb conference
At a recent compress conference for Queer, Luca Guadagnino’s latest cinematic endeavor, the celebrated director shed light on his approach to identity, storytelling, and queerness in his filmography. Known for acclaimed works with queer characters verb Call Me by Your Name, Challengers, and Bones and All, Guadagnino’s films have often been included in conversations about queerness and identity on screen.
The new film Queer follows Lee (played by Daniel Craig) as he lives in postwar Mexico Metropolis before setting off on a quest for a plant rumoured to grant telepathy. Throughout the film, Lee longs to fully communicate and be truly understood, transcending the barriers of secrecy and societal constraints, especially in relation to romantic interest Allerton (Drew Starkey).
When The Strand asked about explorations of identity and queerness in his work, Guadagnino offered an intriguing perspective. “I don’t know if I thematically choose to ex
QUEER
Directed by Luca Guadagnino
Released November 27,
Like the novel by William S. Burroughs on which it is based, Luca Guadagnino’s film adaptation of Queer is less about homosexuality than about the agonies and ecstasies of being a soul trapped in an aging, alienated body. Written in the mids but not released until , Queer is Burroughs’ partial sequel to ’s Junkie. The novel is semiautobiographical, like most of Burroughs’ works, and it centers on a group of American expatriates living in Mexico Municipality in Among them is William Lee, who’s on the lam from American authorities after a drug bust in New Orleans. Lee, who’s addicted to alcohol, tobacco, and heroin, becomes infatuated with a recently discharged American Navy serviceman named Eugene Allerton, who is nearly thirty years his junior. Anguished by this fact, Lee is further tormented by Allerton’s ambivalence. One minute the stunning young male is unbridled in his lust, and the next he is inexplicably apathetic.
In Guadagnino’s quietly surreal and hauntingly romantic film, Lee is played by Daniel
From Saying No to Drugs, Losing &#;15 Kilos&#; and Counting His Lovers: &#;Queer&#; Director Luca Guadagnino Gets Candid in Venice
Wait, did he really just say that?
He did, and Luca Guadagnino doesn&#;t care. The director got candid in front of a jam-packed room of journalists Tuesday afternoon — who were lapping up every word — at the press conference of his new film Queer.
The racy movie gets its world premiere at the Venice Film Festival early Tuesday evening, with its stars Daniel Craig, Drew Starkey, Jason Schwartzman, Lesley Manville and Omar Apollo joining the Italian filmmaker to usher in his latest romp.
An American ex-pat in his mids, William is isolated in Mexico Urban area. Addicted to opiates and alcohol, and with a passion for younger men, Starkey’s Eugene Allerton sends William into a tailspin. As Craig&#;s character gets increasingly infatuated, Eugene agrees to go on a trip with him. It is steamy, of course — it&#;s Luca Guadagnino after all — and includes a couple of fairly graphic sex scenes.
When asked about th
Just How Queer Is Luca Guadagnino’s Queer Anyway?
Daniel Craig sweats it out in Queer. Photo: Yannis Drakoulidis/A24
I know the story of Queer well — the book itself, the circumstances of it being written, and the mythology that preceded the publication of it, the “lost” William Burroughs manuscript. And so I was truly dreading seeing Luca Guadagnino’s $53 million Queer, an adaptation of this unfinished autobiographical novel. It wasn’t just the peculiar casting of a beefy daddy like Daniel Craig as the Burroughs character, William Lee, or pretty Drew Starkey as the aloof, younger adore interest, Eugene Allerton, who spends the film looking great in fabulous knitwear by Jonathan Anderson, Guadagnino’s friend and the film’s costume designer, but nothing like the image of the character I had in my head. But it was all that and more: Guadagnino directing a Burroughs adaptation just seemed wrong to me. His bright colors and stunning style, in films enjoy Call Me by Your Name and Challengers, seemed antithetical to that which I imagined this publication should be represented wit